By Andrew R. Murphy

ISBN-10: 140513528X

ISBN-13: 9781405135283

ISBN-10: 1444332058

ISBN-13: 9781444332056

A Concise better half to Shakespeare and the textual content introduces the early variants, enhancing practices, and publishing historical past of Shakespeare’s performs and poems, and examines their impression on bibliographic experiences as an entire.

  • The first single-volume booklet to supply an available and authoritative creation to Shakespearean bibliographic experiences
  • Includes a worthwhile advent, notes on Shakespeare’s texts, and an invaluable bibliography
  • Contributors signify either best and rising students within the box
  • Represents an extraordinary source for either scholars and college

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Collatine’s fateful publication is oral and occasional, a far cry from the busy world of the hand press and the bookstall. Bearing in mind the multiple resonances of “publication” for an early modern audience, this chapter will close with a brief exploration of the overlapping modes of publication – print, manuscript, speech, and image – that characterized the era of Shakespeare and his contemporaries. Our own association of publishing and print did not emerge until the later eighteenth century as the boundaries between public and private became more clearly demarcated, and as manuscript reproduction became increasingly associated with the intimate and personal, reinforcing the association of print with the public sphere.

The fact that the quartos of the poems and plays alike were mainly sold unbound is shown both by the loss of all but a few copies and by the fact that many of those remaining copies are missing title-pages, final leaves, or whole gatherings. An unbound pamphlet may be a runaway success, but it is still a form of ephemera. It was perhaps to avoid the ephemeral status of the quarto that John Harrison the elder, who had published the first edition of Lucrece in quarto, reprinted the poem as an octavo in 1598, having already reprinted Venus and Adonis as an octavo in 1595 or 1596.

A). In early modern England, publication did not necessarily imply the reproduction of printed copies. a]) the most recent court gossip in a private letter to his or her friend in the country. It could also, as in Lear, mean the act of speaking with the intention of making information, whether news, legal and political proclamations, or scandal, more widely known. Lear’s avowed intention is to make public his divisions of the kingdoms; the act of speaking is here the act of publishing. In the world of ballad singers, or itinerant salesmen, like Autolycus in The Winter’s Tale, the realms of print and oral publication overlapped, as they did too in taverns, coffee houses, and religious meetings of various kinds.

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A Concise Companion to Shakespeare and the Text by Andrew R. Murphy

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