By Antonia Pulci
A skilled poet and a proficient dramatist, Antonia Pulci (1452-1501) pursued vocations, first as a spouse and later as founding father of an Augustinian order. in the course of and after her marriage, Pulci authored numerous sacre rappresentazioni—one-act performs on Christian topics. frequently written to be played by means of nuns for girl audiences, Pulci's performs concentration heavily at the matters of girls. Exploring the alternative that Renaissance ladies had among marriage, the convent, or uncloistered non secular existence, Pulci's girl characters don't simply glorify the spiritual existence on the fee of the secular. fairly, those ladies think of and care for the undesirable advances of fellows, negligent and abusive husbands and suitors, the hazards of childbearing, and the disappointments of kid rearing. They deal with families and kingdoms effectively. Pulci's heroines are considerate; their means for research and motion usually unravel the ethical, filial, and spiritual crises in their husbands and admirers.Available in English for the 1st time, this quantity recovers the lengthy muted voice of an early and critical woman Italian poet and playwright.
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Extra resources for Florentine Drama for Convent and Festival: Seven Sacred Plays (The Other Voice in Early Modern Europe)
Domitilla, and the governor Quintianus in St. Theodora seem rational and sensible beside the inflamed and seemingly self-destructive zeal of the Christians who insist on being persecuted. Put succinctly, while Pulci's human villains are villainous enough, they are also complex and, because complex, they appear as credible, three-dimensional characters. Even her allegorical figures, like the seven deadly sins in The Prodigal Son and in Saint Anthony the Abbot can evoke both our dislike and our sympathy.
For the story of "Susanna and the Judgement of Daniel," see The New JerusalemBIble (New York Doubleday, 1966), 144749 For a discussion of Susanna as hero and icon, see Garrard, 183-204. 5 6 Antonia Puleiand HerPlays The king's great majesty has been disgraced. My court will be in turrnoil if I speakGod, you're my defender, you my guide; Susanna was, I know, preserved by you; I don't know what I ought to do or say; I shall keep silent till the king returns. a (St. Guglielma,lines 231-38) Unfortunately, the brother gets to the king first and accuses her of loose and treacherous behavior.
Is dissuaded from marriage and persuaded by her Christian servants. Pulci apparently did between home even though for (She chooses, attempts to indisposition Pulci does not flinch from confronting this aspect of womanly concerns. ) Again, all the usual ar- guments of the writers of hagiography appear-most of them deriving ultimately from the writings of St. Jerome and St. f Domitilla, who has been happily been resisting and begin dangers the arguments. describing level of priestly ments treating one, Then groundless Pulci treats harangue jealousy forward to her marriage, her servants the instability of a husband's hagiographical looking switch of husbandly jealousy.
Florentine Drama for Convent and Festival: Seven Sacred Plays (The Other Voice in Early Modern Europe) by Antonia Pulci